Welcome to our Music, Festivals, Heritage conference, Siena

This week the major international gathering of the CHIME project takes place, in Siena, Italy. We welcome everyone attending and contributing. Our conference, titled Music, Festivals, Heritage, seeks to explore a number of key themes, questions or problems for the field, including:

  • Established and innovative uses of heritage sites and public spaces
  • Festival sites and cultural memory
  • Transformations of place: music festivals as utopian sites
  • Questions of music genre (e.g. jazz, opera, folk, rock, classical) and the construction of heritage at festival
  • Festival as dull culture: repetition, predictability, boredom
  • The tension between the conservation and the use of heritage sites
  • Festivals and cultural tourism
  • New models of engagement between festivals and cultural heritage
  • Festivals as sites that explore the relationship between tangible, intangible and digital heritage
  • Critical perspectives from festival programmers, producers, organisers
  • The mediation and representation of (heritage and) festival
  • Festival as exclusive community; festival as marginal space
  • From carnivalesque to festivalisation: theoretical approaches and questions of festival
  • The cultural politics of festival sites.

Our location is the Siena Jazz Archive, which holds the most important specialised collection in Italy; it includes more than 25,000 sound and video items, over 2,000 books, and thousands of magazine issues including the only complete collection of the Musica Jazz magazine. Here is a feature in the Italian press about the conference.

On behalf of the CHIME project and the organising commitee, conference convenor Prof Walter van de Leur says:
We are hugely excited about the international conference here in historic and beautiful Siena this week, in collaboration with the Siena Jazz Archive. The conference is a major part of our EU Heritage Plus programme CHIME project. We are delighted to be hosting around 70 speakers coming from 23 countries across Europe, Canada and the US,  South Africa, Colombia, and Australia. We look forward to stimulating, enjoyable and productive discussions around music, festival and heritage from the perspectives of academic research, the festival and music industries, and cultural policy.
Further information, including the daily schedule of papers and presentations, exhibition, lectures, plenary, reception, and screenings is available here, where you can also find travel information for international delegates coming via Florence and Pisa airports, for instance.

In preparation of the festival exhibition

Some serious preparation by photographer Foppe Schut, in search of the perfect picture of the SummerJazzBikeTour brooche.The brooche is part of the travelling exhibition "Dutch jazz festivals in 30 objects" for the researchproject CHIME and will be on view in Siena, Groningen and Amsterdam (for more info, see http://chimeproject.eu).For the exhibition we are collaborating with the Dutch Jazz Archive (http://www.jazzarchief.nl) and indeed the impeccable Foppe! Great to be part of this.

Posted by Loes Rusch on Wednesday, 1 March 2017

Some serious preparation by photographer Foppe Schut, in search of the perfect picture of the SummerJazzBikeTour brooche.

For the exhibition we are collaborating with the Dutch Jazz Archive (http://www.jazzarchief.nl) and indeed the impeccable Foppe! Great to be part of this.

A history of Dutch jazz festivals in 30 objects

The last couple of months the Dutch CHIME team together with the Dutch Jazz Archive has been working on a travelling exhibition on Dutch jazz festivals.

As a starting point we have used a concept that is modeled after “A history of the World in 100 objects,” a 100 part series by Neil MacGregor, director of the British Museum, exploring world history from two million years ago to the present. This model allows us to engage with questions of tangible and intangible cultural heritage, such as ‘How to translate intangible cultural history into tangible objects?’ Also, the great variety of objects (t-shirts, flags, jury reports, scrap-books, etc.) opens up ways of exploring the festival from different perspectives, including audiences, musicians, organizers, and journalists.

The past week Dutch Jazz Archive curator Ditmer Weertman and Walter van de Leur have made a final selection at the Dutch Jazz Archive, which includes the cassettes of the October Jazz Meeting, a 1948 jazz competition award and the scrap-book from the wife of North Sea Jazz Festival initiator Paul Ackett.

Foppe Schut

We are also very proud to introduce photographer Foppe Schut, who will make an artist impression of the objects.

The exhibition will be on view at the CHIME conference in Siena (25-28 May), in Groningen (ZomerJazzFietsTour, 26 Aug) and in Amsterdam (Rhythm Changes Conference, 31 Aug-3 Sep).