Here’s One I Made Earlier…

Following our inspiring few days down at the London Jazz Festival, I thought it might be interesting to share this blog post I wrote last year about Manchester International Festival. This picks up some of the themes that we are interested in exploring as part of the project, so worth a little recycle me thinks…

Originally appeared on http://ontheplatform.org.uk/article/rethinking-sustainable-festivals-spotlight-manchester-international-festival, 2014

Sustainable Spotlight on Manchester International Festival

Manchester International Festival (MIF) is the world’s first festival of original, new work and special events and takes place biennially in Manchester, UK. The Festival launched in 2007 as an artist-led, commissioning festival presenting new works from across the spectrum of performing arts, visual arts and popular culture. In this article, drawing on interviews with different members of the MIF team, Beth Perry highlights their less well popularized but equally important role in contributing to Greater Manchester’s environmental sustainability.

MIF prides itself on having made a significant commitment to reducing the environmental impacts of its office operations and was the first festival to be independently certified as meeting the sustainable events standard, BS8901, as well as a recipient of A Greener Festival award. Whilst the ethos of being artist-led is central to their mission, benefitting the local economy, engaging local communities and minimizing its environmental impact are also stated core principles. Examples of activities have included: greening the office space; sourcing and creating productions responsibly and working with partner venues to reduce the environmental impact of MIF events.

Greening the Office Space (more…)

About the CHIME logo

chime-logoThe CHIME logo, designed by Marijn van Beek in collaboration with PI Walter van de Leur, captures some of the main ideas that come together in the project. The main form is inspired by the quote that opened our proposal:

“What an amazing experience, the clash of seeing Miles Davis in the Roman amphitheatre during the Nice Jazz Festival. The ancient stones and arches are resounded, the music somehow more resonant, old and modern at the same time. I’ll never forget that…”

The amphitheatre – its individual segments suggestive of castle towers — at the same time alludes to an LP record, while its colour scheme calls up the 1950s jazz cover art for Blue Note, Prestige and Atlantic.

The font of the lettering is called Montserrat, which is the name of a number of heritage sites across the world, from Catalonia to Buenos Aires. And yes, there is a Montserrat jazz festival (at the Montserrat College of Art, USA). And no, there are no bell chimes to be found in our logo.

CHIME at the EFG London Jazz Festival (Saturday 21 November)

Following the inception event, CHIME team members also delivered public engagement panels as part of the EFG London Jazz Festival.

At the Barbican Centre, Prof. Tim Wall (Birmingham City University) chaired a panel on jazz and cultural heritage, featuring project team members Prof. Walter van de Leur (University of Amsterdam) and Dr. Beth Perry (University of Salford), together with Eric Arellano (Gamlestaden Jazz Festival) and Emily Jones (Cheltenham International Jazz Festival).

Emily, Eric, Tim, Beth and Walter on jazz and cultural heritage
Festival organisers and academics discussing jazz and cultural heritage

The panel explored jazz as part of cultural heritage and music as a tool for regeneration and social change. Questions that were asked included: How can the arts and arts festivals play a role in addressing issues of environmental and social sustainability? In which ways could or should grassroots cultural activity contribute to further urban development. Can jazz address a wider audience, except for middle-aged white men? Audience members vividly contributed to the discussion, giving insights into the many ways in which jazz is interpreted (i.e. both as a political and a non-political music) and experienced (i.e. as a music of the past and/or the present).

As a prelude to that night’s concert of Ice-T and Ron McCurdy and their Langston Hughes Project, CHIME member Dr. Nicholas Gebhardt (Birmingham City University) chaired a panel discussion on the legacy of Langston Hughes.

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Reporting on the CHIME inception event

Screen Shot 2015-11-21 at 12.45.33A group of international scholars and festival organisers and music producers gathered at the Royal Festival Hall in London during the EFG London Jazz Festival to launch the project. I took some notes, both for the record and to help us shape 2016 meeting agendas and work.

Project leader Prof Tony Whyton (Birmingham City University) introduced the day, reminding us of the project’s key questions around heritage sites, jazz festivals—ranging from jazz as a heritage music from itself today to urban regeneration to difficult questions of the intangible impact of festivals on festival-goers.

Prof Helene Brembeck and Merja Liimatainen (University of Gothenburg) talked of the place of consumption at festival as a core experience for festival-goers, in particular in the context of the presentation and consumption of heritage, memory, the past, at jazz festivals. How does music re-sound the architecture of the city at festival? The Swedish team will be looking at contrasting jazz festivals in Gothenburg, Gamlestaden Festival and the Classic Jazz Festival, a process of embedded research within the organisations and ethnography and cultural history, critical interrogation of festival imagery, publicity and events and venues.

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CHIME Inception Event

PrintThe CHIME Project team will officially launch the project at an Inception Event on Friday 20 November, during EFG London Jazz Festival. The event, held at the Southbank Centre in London, will provide partners with an opportunity to come together to talk about their work, to share ideas, and to discuss ways in which CHIME research can impact on different festivals and heritage organisations.

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Supported by Associated Partner MISTRA, the Inception Event will also bring together representatives from case study festivals, including London, Cheltenham and the GMLSTN Festival in Gothenburg to explore audience development initiatives and plans for creating digital tools to support their programming, audience participation and partnerships with heritage sites.

gmlstn-jazz-2014

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